Current Exhibitions

Community Gallery
SILENCE.

Artist: Francis Maduka Uduh

January 13 – February 13, 2026

Introduction: Silence is the empowerment that embodies the creative spirit (peace, focus, love and self-realization).

Artist statement: Uduh Francis Maduka is a multimedia artist, he works with wood, metal, clay, mosaic, and beads. A reticent about himself and his art, allowing his work and raison d’être to carry above descriptions and categorizations. His practice route has taken him from his comprehensive training at the prestigious art institutions of Federal Polytechnic Auchi, Edo State and Yaba College of Technology, Lagos to the execution of private and prominent public commissions. “My art is all about making – being original not faking. It all revolves around discovery of self, immediate environment, materials and tools. This I believe and sincerely know is life’s existence itself. We should make it not fake it.”

Dinner Used to Be at 6

January 18 – April 22, 2026

"Dinner Used To Be at 6" is a group exhibition featuring Trang Huynh, Angel Jones, and Amelie Wang, three Baltimore-based artists whose practices center on memory, identity, and inherited histories. Through diverse mediums, each artist explores how personal experience is shaped by collective memory, cultural and social moments. Despite their different backgrounds, the artists share a common thread in their exploration of generational trauma and the enduring impact of colonial violence within the context of the Western world.

Rooted in traditions yet reshaped by modern realities, the artwork reflects on what it means to carry the past while navigating the present. Each piece serves as a conversation between cultures, timelines, and geographies-where ancestral patterns and family stories are reimagined through contemporary practices. In doing so, the exhibition speaks to the complexities of living between worlds and holding space for both grief and joy.

Speaking in Symbols:
Masterworks of Traditional Uzbek Ceramics

January 25 – April 22, 2026

This Speaking in Symbols exhibition features the extraordinary and intricately decorated ceramic works of Alisher Nazirov, a renowned Traditional Master Ceramist from Rishtan, Uzbekistan. Each of his creations – ranging from small intimate drinking vessels to large ceremonial urns and platters -- reflect longstanding symbols and ornamentation drawn from a deep and rich Uzbek cultural heritage, which actively link his modern creative practice to time-honored traditions that date back well over a millennium. Each handcrafted vessel is coated with local clay engobes, then exquisitely hand-decorated in botanical/biomorphic figures and arabesques, delicately carved with a sgraffito technique, and lastly glazed and fired using local plant materials and minerals. Each vessel’s decorations are intended to convey specific good wishes and blessings – from maker to user, or from giver to receiver – via a canon of traditional abstract/biomorphic symbols, or “islimi”. Nazirov dubs this canon of symbols his ‘Alphabet of Uzbek Ornament’, which create a visual language to convey these good wishes from the artist to the vessel’s final home. His hope as a maker is to spark joy and satisfaction amongst end users and to lighten their hearts, even if for just a moment. This show represents Nazirov’s first opportunity to share his extraordinary work with the U.S. public.

The exhibition has been co-curated by Mr. Nazirov and Ms. Dee Harris, a local DC-area ceramic artist. During an artistic exchange in 2023, the co-curators discovered a mutual sense of aesthetic synergy and the idea of a joint exhibition involving the two artists was born. They note: “In honor of our serendipitous meeting in Uzbekistan and our ongoing conversations in clay, it felt only natural to include in the show a few works that sparked our collaboration in the first place. We both hope the creative synergy is palpable to all.”

Upcoming exhibitions

Community Gallery
Whispering Canvas

Artist: Rana Alsharaiha

February 16 – March 16, 2026

The solo exhibition by Rana Alsharaiha invites viewers into a vibrant, emotional journey through color and form. Featuring abstract portraits and more, these paintings explore the raw, unspoken emotions hidden within the human face and places. Each piece serves as a mirror, using bold palettes to reflect joy, sorrow, and the complex beauty of our inner world.

Entangled Worlds: Thingumabobs and the Duality of Identity

May 3 – August 5, 2026

“Entangled Worlds” is a solo exhibition emerging from Korean artist, Hyunsuk Erickson’s ongoing exploration of how bodies, materials, and identities exist in states of tension and connection. Shaped by memories of growing up on a farm in Korea—working directly with soil, clay, wood, plants, and seasonal cycles—her practice is grounded in an understanding of care, labor, and dependence on the land. These early experiences now intersect with the use of fiber, synthetic fill, and repurposed industrial materials. Rather than positioning natural and artificial materials in opposition, Erickson treats them as coexisting systems, each carrying histories of pressure, endurance, and transformation. Her Thingumabobs function as hybrid bodies—soft yet resilient, organic in behavior yet visibly constructed—formed through the contradictions of culture, identity, and ecology.

The work resists fixed ideas of growth, stability, and resolution. The Thingumabobs gather, extend, and suspend through acts of holding and support, modeling growth as uneven, collective, and adaptive rather than linear or hierarchical. Nature and the artificial are inseparable here; they are entangled conditions of contemporary life. Identity is not presented as resolved or singular, but as something continuously shaped through attachment, repetition, and care. The exhibition proposes coexistence rather than opposition, inviting viewers to consider how bodies—human, nonhuman, and speculative—persist within shared, fragile systems that demand connection rather than control.